Discipline and Punish: The Birth of the Prison is a book by the French philosopher Michel Foucault argues that prison did not become the principal form of punishment just because of the humanitarian concerns of reformists. He argues that the public spectacle of torture and execution was a theatrical forum, the. In Discipline and Punish Foucault argued that the human sciences and the history of . Foucault’s governing metaphor of the scaffold as spectacle or theater —. Foucault’s writings on power and control in social institutions have made him one of the modern era’s most influential thinkers. Here he argues that punishment.
|Published (Last):||22 January 2009|
|PDF File Size:||9.65 Mb|
|ePub File Size:||9.80 Mb|
|Price:||Free* [*Free Regsitration Required]|
This description has much in common not only with the LA Riots, but all such episodes which follow an incident of police brutality.
At the third, they must line up and proceed to the chapel for morning prayer. Notify me of new posts via email.
Discipline and Punish – Wikipedia
Be the first to ask a question about The Spectacle of the Scaffold. Once again, video recordings are at the heart of this.
Mihaela rated it really liked it Sxaffold 13, Once again, this was shown by what happens to the body of the criminal. They have enlightened, outraged, provoked and comforted.
The Spectacle of the Scaffold
Punishment became “gentle”, though not for humanitarian reasons, Foucault suggests. The guilt or innocence of the suspects who are subject to violent coercion from the police is not particularly relevant.
This would have allowed the public to see the convicts’ bodies enacting their punishment, and thus to reflect on the crime. Video recording technology has brought an unprecedented level of quality to sccaffold images we perceive of police violence.
Sep 17, Ana rated it really liked it Shelves: This book csaffold that capital — and even corporal — punishment was always meant to exact revenge rather than deliver justice with an escalation of the horror taking place upon the scaffold to try to make the punishment fit the crime.
#60 Michel Foucault – The Spectacle of the Scaffold
All you are left with is opinion. The Birth of epectacle Prison. It was this outrage which led Foucault to conclude that public executions could serve as possible sites of resistance.
He states, “the major critical theme spectaxle emerges, and is independently made ofucault many different critics, concerns Foucault’s overestimation of the political dimension. How can there be any kind of truth about the past when our knowledge of it is partial and second-hand? In the days pre-reform, he spectacoe that the body becomes the medium for expressing the nature of the crime and of the resulting punishment. Leave a Reply Cancel reply Enter your comment here Works Cited Foucault, Michel.
The amount of instability created is directly tied to the clarity and realistic appearance of the images and videos shown to the public.
Hence, its political cost was too high. To see what your friends thought of this book, please sign up. As a result, the executioner was severely beaten and the gallows were smashed to pieces.
The Great Ideas The full fkucault Oct 24, Peter Dunn rated it liked it. Foucault’s project was particularly influenced by Nietzsche, his “genealogy of knowledge” being a direct allusion to Nietzsche’s “genealogy of morality”. He was primarily concerned with pursuing a genealogy which followed torture to modern disciplinary institutions such as prisons and schools.
Skip to content Skip to search. This, according to Foucault, was of more concern to reformists than humanitarian arguments.
When the verdict came down and the officers involved got off scot-free, the ensuing riot lasted six days, caused more than 50 deaths, set thousands of fires, and did millions of dollars in property damage.
He explains that power and knowledge imply one another, as opposed to the common belief that knowledge exists independently of power relations knowledge is always contextualized in a framework which makes it intelligible, so the humanizing discourse of psychiatry is an expression of the tactics of oppression.
Here he argues that punishment has gone from being mere spectacle to becoming an instrument of systematic domination over individuals in society – not just of our bodies, but