Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.
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Then you could use the fingers to stretch the hairs when playing fewer strings or a single string. Treatise on playing the recorder and ornamentation, published in Venice I can say that if you wished to play a piece which is in four or five parts while singing the fifth, you would need to use a longer bow than is customarily used. Title Opera intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: In other projects Wikimedia Commons.
His first treatise covers recorder playing: Summary [ edit ] Description Ganassi fontegara. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. The following other wikis use this file: Ganassi’s Regola Rubertina is among the earliest sources of advice to the viol player on how to hold the bow. Views View Edit History.
Sylvestro Ganassi – La fontegara – NaxosDirect
In a later passage, however, Ganassi makes it clear that the hair may be tensioned with yanassi fingers in at least some circumstances, for example when playing chords to accompany a song:. From Wikimedia Commons, the free media repository. The illustration from Regola Rubertina lower right, opposite appears to show this hold. Some interpretations of this passage conclude fontwgara the bow is to be held without touching the hair,  whereas in later bow-holds the fingers tension the hair in order to allow louder or accented playing without the stick gajassi the bow hitting the string.
There are some minor differences from the Forni Facsimile Edition based on the Bologna copycompare f. This is because the hairs on a longer bow would be less stretched, allowing one to draw the bow with less pressure on the strings while playing a chord. None [ force assignment ] First Pub lication.
Silvestro di Ganassi dal Fontegoalso given as Sylvestro di Ganassi dal FontegoSilvestro Ganasi dal Fontegoand Silvestro dal Fontego 1 January —  was a Venetian musician and author of two important treatises on instrumental technique.
You know that the bow is to be held with three fingers, that is to say the thumb, the index and middle fingers.
Public domain Public domain false false. The thumb and middle finger ensure, in holding the bow, that it does not fall, and the index finger serves to strengthen and stabilize it, keeping it on the strings and exerting more or less pressure according to the need.
His second in two volumes is gontegara the viola da gamba: The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi’s writings.
Silvestro Ganassi dal Fontego
Retrieved from ” http: Contents 1 Performances 2 Sheet Music 2. They cover both technicalities of playing and the subtleties of expression.
Opera intitulata Fontegara Venice, Information on the source of the scan is lacking. Retrieved from ” https: Retrieved from ” https: English translation based on German edition published in There ganaswi also guidance on ornamentation — passaggi. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
His treatises are now available in modern editions.
Men in art Silvestro Ganassi dal Fontego. Methods ; Performance practice ; Writings ; Divisions ; For recorder ; Scores featuring the recorder ; For 1 player ; Italian language.
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Please obey the copyright laws of your country. This page was last edited on 26 Aprilat Opera intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: