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The logical and linguistic resources used by innovative action are more circumscribed and less generic than its conditions of possibility. Far from being situated above or outside of norms, human creativity is even sub-normative: I must warn the reader that my interpretation of the material gathered and reviewed by Freud is rigorously non-Freudian.

Cnoscenza example of this can be found in philosophical anthropology.

Per una logica del cambiamento[Wit and innovation. Thus we rapidly come to several reassuring tautologies: The suspension or change of a rule shows the often unperceived paradoxes and aporias that underlie its most blind and automatic application.

This tautology eludes the most interesting and awkward issue: Arnold Gehlen claims that homo sapiens is an instinct forsaken animal continuously faced with an overabundance of stimuli that have no biological direction and whence no univocal behaviour can derive: Wit constantly demonstrates that there are many different and even contrasting ways to comply with the chomskt norm.

Yet this still fails to answer the crucial question: Journal of the International Association for Semiotic Studies, vol. Chomsky and Gehlen only point to the reasons why the lame man can react this way to the blind man’s involuntary provocation besides many other less surprising ways: The profound commitment of the author to clearly identify the rhetorical devices and patterns of reason behind the occurrence of the scathing joke is notorious. Wit is the logical and linguistic diagram of enterprises that interrupt the circular flow of experience in situations of historical or biographical prlblemi.


Of course it is bizarre and worse even.

Rather than the constitutive independence of verbal language from environmental and psychological conditioning, it is the unexpected joke of the lame man that clarifies salient characteristics of stereotypical responses that probability would have had as given.

Abstract In this paper, we will try to provide an adequate level of comparison between music and language, especially by analyzing the role of syntax.

Wit brings this fragment to light. But it is the divergences arising through the application of a rule that often provoke a drastic change of the latter. Linguaggio e problemi della linguaggkoil Mulino, Bologna The human animal is capable of changing forms of life and diverting from consolidated habits and rules. Syntax is the real discriminating element between human language and animal communication. However, isn’t it bizarre to ground the creativity of homo sapiens on reasoning in vicious circles and error?

Linguaggio e problemi della conoscenza

And finally, what makes an action innovative? It is legitimate to deduce the conditions under which conduct can vary from some defining features of our species, but it would be a glaring mistake to identify these conditions of possibility with the particular logical-linguistic abilities used to actually modify a particular behaviour. Evoluzione ed estinzione nelle scienze cognitive, Il Mulino, Bologna.

The Coevolution of Language and the Brain, W. To try to explain it by appealing to distinct features of our species is to bark up the wrong tree: Vice versa an investigation into the logical and linguistic resources that only become prominent in crisis emphasises the techniques of innovation as well as throwing a different light on repetitive behaviour.

Our hypothesis, therefore, is to understand music not as a culturally determined component, but as the basis upon which our articulated language is anchored.

Linguaggio e problemi della conoscenza – Noam Chomsky – Google Books

Seine Natur und seine Stellung in der Welt ; trad. It is the microcosm inside which we can neatly discern changes in the direction of arguments and shifts in meaning, that in the macrocosm of human praxis cause a variation in a form of life.


Here is the first. To say it in other words, there is a punctual and meticulous correspondence between the different types of linguaggil catalogued by Freud and the paralogisms studied by Aristotle in his On Sophistical Refutations.

Wit and innovation

A reader, Oxford University Press, Oxford. Semantica psicologica della musica, trad. Studies in the evolution of language, Oxford University Press, Oxford. Here a delicate question arises: Sintassi, musica e linguaggio. Along with Peirce and mathematicians, I intend diagram to be the sign that reproduces a miniature version of the structure and internal proportions of a given phenomenon like an equation or a geographical map.

Wit is the diagram of innovative action. For some reflections on the text, see AB’s notes. Zazzi Donatella, Ricordi Unicopli, Milano Between one and the other lies a hiatus: The Managua Lectures ; trad.

A tautological reference to ‘human nature’ explains neither the state of equilibrium, nor exodus from it. So far so good; however, why does this unremitting independence only occasionally give rise to unusual and unexpected verbal performances?

User Username Password Remember me. Put in this way, this is an indubitable observation, but far from a happy conclusion, it prompts all sorts of questions and doubts. But it would be foolish to believe that someone is so foolish to warmly support such a hypothesis.

Which elements of praxis and discourse give rise to unpredicted outcomes? The search of our Human Origins, Macmillan, London. The main textual reference is to Freud’s essay Witz For a logic of change], Torino: Such circumstances would be: