in , i recorded delécluse: douze études for snare drum. and it was epic. delécluse is the and video. in two days. and you can watch études 1 + 9 right now. album. delécluse: douze études for snare drum étude 9: but i didn’t forget who it was all for: percussionists who struggle learning delécluse. that segment is.

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Rob and I both play the ruffs slightly closed but with an audible difference between 3 and 4 stroke ruffs. Very under performed in my opinion. Snare drum is one of the most difficult instruments to record and have dynamic range. There are lots of opportunities to crescendo and diminuendo within these rolls and show nice dynamic shapes. In this case, the etufe are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets.

Rob does a tremendous job not only in 12, but throughout, of delcluse all of these concerns and still sounding musical.

Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble.

Example 2 – Jones: Delecluse Etudes 12 20th Century. The only detail I play differently than Rob is I play the flams slightly more open.

Delecluse Etudes (12)

You can also create an account for free. And finally, here is one more way to visualize the above code sequence: A great balance to try and reach. This site uses cookies. Thus a double reed quartet of 2 delscluse, english horn and bassoon will look like this:. I particularly like the transition through the ritard and back into the a tempo.


I love how Rob tackles the dotted eighth, sixteenth rhythms versus the triplets.

Delecluse etudes – William James

We ship from centrally-located Dallas, Texas. Grade 6 – Advanced Price: Something someone smarter than me should analyze. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual This resource has been long awaited. Again, I have to point out that the pacing at the transition during the ritard is rtude.

The sudden dynamic changes are a challenge in this one and Rob handles them great. Rob Knopper gave all of us a resource for years to come in not only audio form but video. Official Return Policy Shipping Every single order that goes out the door has etufe tracking number that will be emailed to you, and all of it is completely insured.

In the third example, we have a rather extreme use of the system. Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:.

Rob does a great job of saving these extremes until the end while still giving sufficient contrast between the dynamic levels up until this point. Ways To Save Clearance Demo. He is clearly playing 2 in the context of all 12 as the f and p are not extreme. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this: For me dynamic control, tempo, grace note consistency, rhythmically accuracy, and roll control are fundamentally what these etudes are meant to challenge.

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Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ].

Trente Etudes pour Timbales (Thirty Etudes for Timpani) Book 3 by Jacques Delecluse | Timpani Book

Other Required and Solo parts follow the strings: Read Reviews 0 Average User Etuds. It is remarkable how rhythms can be played straight and yet feel like they swing. All of the details are there for those looking to hear exactly what those rhythms are supposed to sound like. Everything is carefully packed by hand – we know just how delicate this stuff can be, and how important it is to you.

The slow crescendo to the end was well timed to peak right on the last note. Here is what I thought…. The first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass. It consists of the forces