Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .
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Obgadors mack April 9, at 9: I love this piece!!! This really highlights the fact that the guitar is so important to the entire Spanish Art Song genre. John April 3, at 9: Sarah Brauer April 9, at It was so nice to hear it performed by such an expert vocalist.
Ben April 2, at 4: The guitar figures are apparent in the piano accompaniment. Emma Lynn April 8, at 5: The pianist in the performance did an excellent job of emulating a guitar with rhythmic clarity and precision. Some of the runs sound more pianistic than guitaristic, but the majority of the writing definitely sounds guitar inspired.
From the “no, no” to the fiesty “Ay! April Phillips April 5, at You have these lithe and bouncing stacatti sections that serve as the buildup to the larger, sweeping melodic figures, giving the entire piece a sense of tension dl release. This seems like a really fun song to perform.
It feels less like a dance until Berganza comes in. I really liked the different articulations that were used in the work as well with sections being more legato and others that were more snappy!
El vito – Wikipedia
Her body language was great as well. Julie April 2, at 2: Yoshi April 10, at 9: Ednaldo Borba April 12, at 1: Ovradors piece is so passionate. For the time being, the topics are organized according to geographic locations. It embodies so much of what one expects of the “Spanish” sound.
Berganza has a lovely sense of line, and the soft stacatti sections almost feel like teasing. The piano prelude made me think of Lara’s Granada. It looks so fun to perform. Teresa Berganza, as always, perfectly exemplifies this style.
She brings so much nuance to the character, and what vto piano part! Another example of a translation from guitar to piano. The Links and Labels below should be helpful in finding what you are looking for. How to navigate this site: Andrew April 5, at Translations are from Lied and Art Song Page.
I love the piano’s role with the repeated notes. This has always been one of my favorite Spanish songs, not only to play, but simply to obradoors too.
This blog was created to provide a place to discuss the music and texts of vocal performances of various styles and languages. I can really hear the inspiration from the guitar.
Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)
The way the voice and piano interact is playful, discrete and yet so profound. I enjoyed the rhythmic energy and drive of this music. It was also nice to hear a performance with a different dialect than Spanish from Spain or Mexico, which is what I’ve typically heard obrdors piece performance.