Ebrahim Moosa, Ghazali and the Poetics of Imagination Chapel Hill, NC: University of North Carolina Press, pages. Reviewed by Muhammad Hozien. Ghazali and the Poetics of Imagination has 14 ratings and 3 reviews. Ebadur said : “ an observation that stems from my reading of classical Islamic text. Abu Hamid al-Ghaz&;l&;, a Muslim jurist-theologian and polymath who lived from the mid-eleventh to the early twelfth century in.

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This book is good if only for that- to get an idea of the Muslim imagination and creatively employing it for the purposes of piety.

Open Preview See a Problem? So overall I was impressed by both the scope and the content of the book.

Ghazali and the Poetics of Imagination – Ebrahim Moosa – Google Books

View all 4 comments. Thanks for telling us about the problem. For, indeed, those who chose isolation and absence unconsciously endorse the dominant knowledge practices as normative while reducing the knowledge of their own tradition to a subaltern status, veiled in its alleged purity and suffocating in its isolation.

Mar 07, Ebadur is currently reading it. This position is pre-eminent for dialogical thinking and critical enquiry of particularly established positions and ossified assumptions.

Ghazali and the Poetics of Imagination | Muhammad Hozien –

The prevalence of this condition has not only resulted in the atrophy of knowledge, but the process of knowledge production itself has suffocated. But his basic thesis is that Ghazali became a seminal figure in the Islamic intellectual tradition because he was able to think on the threshold dihliz between multiple disciplines and modes of thought, which allowed him to synthesise these disciplines producing something new a bricoleour he says whilst also leaving his ideas open to dialogical development.


Yassir Morsi rated it really liked it Dec 26, Refresh and try again.

Theodora marked it as to-read Jan 31, Ghazali was not for this or that, he was ijagination anything for ihsan or arete as the Greeks say – excellence; he criticized taqlid, kalam scholars and the jurist theatrics of his day. No trivia or quizzes yet.

Want to Read saving…. Such a creative and critical inheritance, he concludes, ought to be heeded by those who seek to cultivate Muslim imaginationn traditions in today’s tumultuous world.

Ghazali re-creates ways of looking at the origin and general structure of religion, its elements and laws, particularly with respect to characteristics like space, time, causality and freedom. From Behind the Curtain: I’ll try and put up a few great quotes from this awesome read!

Melinda Pelham rated it really liked it Dec 18, But he draws from a lot of source Moosa seemed to me to be pretentious and showy at first- dry and terse, but as I kept reading I am grateful we have thinkers such as him.

This ghqzali a form of surrender to the hegemonic discursivity of modernity, even though Islamist proponents would claim to resist modernity by means of such actions. My library Help Advanced Book Search. He doesn’t hesitate to use new terminology or coin his own terms and ideas, which is refreshing and direly needed in Muslim discourse.


Ghazali and the Poetics of Imagination

At times the text is dense, and Moosa sometimes gets carried away. Josiah marked it as to-read Feb 17, But he draws from a lot of sources massive bibliography of books I want to follow up on and its good to see some real analysis of Ghazali’s thought through combining Islamo-centric and Euro-centric viewopints. Be the first to ask a question about Ghazali and the Poetics of Imagination.

Moosa seemed imagintaion me to be pretentious and showy at first- dry and terse, but as I kept ijagination I am grateful we have thinkers such as him. Paperbackpages.

There are no discussion topics on this book yet. Books by Ebrahim Moosa. To see what your friends thought of this book, please sign up. Apr 24, Faisal Ali rated it really liked it.

Mohammad Adnan Reda marked it as to-read Dec 25, In recognising this important phenomenon in Ghazali the writer also recognises that Muslims today are in the midst of the globalisation of liberal capitalism and other hegemonies, and it is in this context that they have to confront their own traditionalism, modernism and fundamentalism.