LIGETI MONUMENT SELBSTPORTRAIT BEWEGUNG PDF

Due capricci is a set of two capricci for piano written by Hungarian composer György Ligeti. Monument, Selbstportrait, Bewegung” (Liner Notes)”. Wergo. SCHOTT LIGETI G. – MONUMENT, SELBSTPORTRAIT, BEWEGUNG – 2 PIANOS , 4 MAINS Partition classique Piano – instrument à clavier Piano on. György Ligeti: 3 Piece for 2 pianos: Monument, Selbstporträt and Bewegung – Play streams in full or download MP3 from Classical Archives.

Author: Gokasa Kajirisar
Country: Finland
Language: English (Spanish)
Genre: Video
Published (Last): 28 October 2008
Pages: 133
PDF File Size: 7.12 Mb
ePub File Size: 6.62 Mb
ISBN: 446-3-28013-805-6
Downloads: 39878
Price: Free* [*Free Regsitration Required]
Uploader: Zulujar

Monument · Self portrait · Movement

Originally Ligeti had called the piece “Still Life with Reich and Riley,” but decided the phrase “Still Life” was inappropriate with reference to living composers. Music of Our Time Special Edition. More notes are introduced into the sequence in complex polyrhythmic interaction, leading to an increasing density of texture. At what seems to be the breaking point, a very slow eight-part chorale takes over bewfgung closes the piece on a ponderous note. Lucille Chung Plays Ligeti.

lgieti

Monument · Self portrait · Movement

Streams Videos All Posts. The composer has described the final piece, “With gently flowing motion,” as a “liquefied” variation on “Monument.

It was rather Ligeti’s commentary on the connection between minimalist processes and his own work, so the title was given its final form “Self-portrait,” which is also somewhat misleading in that Ligeti was likewise not intending to depict himself in the work. As in the opening of “Monument,” more notes are gradually introduced into the spare, fragile texture. ligrti

  DESCARGAR LIBRO TRIGONOMETRIA BALDOR PDF

Musica Ricercata / Capriccio 1 u. 2 / Invention / Monument · Selbstportrait · Bewegung

Rainy Day Relaxation Road Trip. Sexy Trippy All Moods.

In any case, the piece begins with a quiet tapping at a omnument of high notes. He first heard the music of Steve Reich and Terry Riley in in California, and immediately recognized similarities between their ideas about musical structure and development and his own, especially in such works as Continuum and Clocks and Clouds This forceful, granitic composition ends with a final tapping at the upper range of the keyboards.

He pays tribute to this continuity in the Three Pieces, albeit with a much higher level of dissonance than one normally finds in Reich’s or Riley’s work. AllMusic relies heavily on JavaScript. Aperghis, Castiglioni, Dufourt, Ligeti, Sciarrino. Complete Music for Two Pianos.

Due capricci (Ligeti) – Wikipedia

Romantic Evening Selbstportfait All Themes. As he was completing work on the original version of the opera Le Grand Macabre inLigeti decided to return to writing for the piano for the first time in over a decade. Drinking Hanging Out In Love.

One important influence on his style that Ligeti explicitly acknowledges in the Three Pieces is minimalism. So he changed the title to “Portrait.

  EFFECTIVE TEAMWORK GOETSCH PDF

Two Pianos in the XX Century. The way the music gradually evolves is certainly akin to minimalist procedure, and the connection is made even more obvious in the second piece, “Self-portrait with Reich and Riley and Chopin in the background. There is a gradual increase in both volume and intensity. Suddenly a series of downward scale-like patterns breaks out over a prominent bass line, which takes over and leads to swirling arpeggios and something like the sound of the piece’s opening.

Festival for New Music The first of the three, “Monument,” begins with stark, hammered out individual notes. Share on facebook twitter tumblr. Introspection Late Night Partying. The result was the Three Pieces for Two Pianos, dedicated to the famous avant-garde piano duo Alfons and Aloys Kontarsky, and premiered by them in Cologne on May 15, Please enable JavaScript in your browser to use the site fully. Complete Piano Music, Vol. Original Compositions and Transcriptions in the Tradition of Nancarrow 2.

Jazz Latin New Age.